Jonathan Styles comes from Newfoundland, and you can tell right away that his work is shaped by the place he calls home. He’s spent his life outdoors—hunting, fishing, hiking, exploring—and that connection with nature shows up in the way he approaches design. He’s always been an artist too, dabbling in everything from painting to woodworking to carving, so knife making wasn’t really a leap for him. It feels like a natural extension of who he already is. His motto is “functional art,” and once you get the Kitpu in hand, that line makes perfect sense.
The Kitpu takes its name from the Mi’kmaq word for eagle, which is fitting for a knife that leans heavily into slim, airy lines and a sleek pocket presence. It’s meant to disappear in the pocket with its slim titanium frame and deep carry clip, and it nails that role right out of the gate. Before I even get into performance, this knife hits that sweet spot I’m always drawn to—something that performs well but also looks the part. Some knives are rugged and ready for work, and some are gentleman’s knives that bring a little polish to your day. The Kitpu clearly lands in that second category. It’s about the size of a trapper and has those clean, classy lines that make you want to carry it even if you don’t need to.

I feel like I’ve been in this industry long enough that things are starting to blur together. Every now and then something still makes me pause and go “okay, that’s cool,” but there’s also this growing feeling of déjà vu. Maybe it’s parallel design, maybe it’s trends, maybe it’s just the nature of a crowded market. Designers working miles apart still end up creating pieces that look like cousins. It happens. And honestly, it’s not always a bad thing.

I’ve been into knives for a long time, and there are moments in this hobby where it feels like innovation has slowed to a crawl. You see familiar patterns over and over: same steels, same materials, same silhouettes, just shuffled around. Yet every now and then a design lands on my desk that makes me pause, smile, and realize there are still new ideas left to explore. The last couple of years especially have reminded me that there are some brilliant minds out there who refuse to let folding knives get stale.
Steven Dunnuck is one of those minds. He’s a mechanic by trade, a builder and tinkerer who loves pushing limits, and you can see that attitude in his work. He has that adrenaline-chasing, “let’s see what happens if…” kind of imagination that feels more hot rod garage than design studio. And when someone like that decides to rethink a lock, you end up with something that doesn’t just look different — it behaves different.

Kansept has been on fire for 2025, bringing a lot of amazing designs to the market. This time around they teamed up with Javier García, a box truck driver with a deep fascination for EDC gear and the EDC community. His passion for everyday carry led him to design his own knives, and he’s incredibly grateful for the opportunity to turn that passion into reality. Take that enthusiasm, combine it with Kansept’s premium materials and attention to detail, and you’ve got a winning combination.
The result of this collaboration is the Nahual, a knife designed to be “aggressive yet non-aggressive” while maintaining excellent functionality for most EDC tasks. The ergonomics come from a neutral handle, forward choil, and subtle harpoon spine that allows a comfortable choke-up. The modified sheepsfoot blade might look tame, but it’s one of the most versatile profiles you can have in an EDC knife. It’s got all the hallmarks of a great design, so let’s take a closer look and see how it performs.

The Kosame, which translates to “light rain” in Japanese, is a knife designed with symbolism at its core. The maker describes it as a blend of elegance and power, reflecting how something as soft as rainfall can, over time, erode mountains. The handle’s curves and droplet cutouts are meant to represent the calm and beauty of rain, while the blade’s straight, sharp lines highlight the more destructive force of nature. It’s a neat concept and a good story, one I appreciate because it ties into the Japanese-inspired aesthetic. That said, I can’t help but see the design in another light—it reminds me more of science fiction, even bordering on the alien. The jimping and spine details echo the look of a xenomorph’s back, which makes me like it even more. Maybe that’s just the nerd in me talking, but either way it gives the Kosame a unique visual identity.

Ravens have always carried an air of mystery and intelligence. In mythology and folklore, they’re often seen as messengers or guardians, tied to wisdom, transformation, and adaptability. Outside of stories, they’re just as fascinating, known for their problem-solving skills, use of tools, and ability to thrive in nearly any environment. It’s easy to see why Kansept chose the name for this design. The Raven takes inspiration from the lines of a raven’s head and beak, blending sleek elegance with a sense of purpose. With that foundation in mind, let’s take a closer look at what Kansept has created with the Raven.

Here in the South, folks say they can smell rain coming. That earthy, charged scent is called petrichor—caused by ozone, plant oils, and soil bacteria getting kicked up just before the skies open. I’ve lived here long enough that you’d think I’d have picked up that trick, but maybe being only half Southern is to blame. I didn’t catch the storm building on the horizon this time either—Kansept’s Thunderhead blew in fast, and it hit hard.

I usually gravitate toward slimmer, more slicey knives—something that feels light in the pocket and glides through material with ease. Big, overbuilt folders typically aren’t my thing. But something about the Caveman caught my eye. Maybe it was the Fat Carbon scales. Maybe it was the unapologetically bold design. Either way, I knew I had to give it a shot. Designed by Jesse Pauley in his first venture into production knives, the Caveman strikes a surprising balance between brute strength and thoughtful design and I’m glad I gave it a chance.

When early European settlers first laid eyes on the massive, shaggy creatures roaming the plains of North America, they dubbed them buffalo — a name that stuck, even though these animals weren’t true buffalo at all. Technically, they’re bison — American bison, to be precise. But try telling that to the folks who named Buffalo, New York. Or the ones who minted the Buffalo nickel. Or me, when I still forget and call them buffalo out of habit.
The American bison has become a symbol of resilience, strength, and the wild spirit of the frontier. They were once hunted to near extinction, but conservation efforts brought them back from the brink. Today, they stand as one of the great icons of North America — a reminder of the untamed wild and the sheer muscle that once shook the prairie.

With so many knives in our collections, it’s easy to reach for different ones depending on the day. Sometimes you want something tough for real work, other times you're dressing up for church or hitting the town and want a blade that fits your outfit as much as your EDC needs. That’s where the Kansept Dako comes in. It’s sleek, modern, and undeniably classy - exactly what I look for in a refined dress knife. But is it more than just a pretty face?

What kind of people would write collect and review multitools? Quite simple really- we are designers and do-ers, outdoors types and indoor types, mechanics, doctors, problem solvers and problem makers. As such, we have, as a world spanning community, put every type, size and version of multitool, multifunction knife, pocket knife and all related products to every test we could manage in as many places and environments as there are.